Bach Bibliography
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Series : ^[p]BNUK_Cambridge$
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TypeListTitle[further info]SeriesVolNoYearPagesStatus
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1. Busoni on how to transcribe from the organ to the piano: an easy course in ten Preludes. [p]BNUK_Cambridge Jul 2017
2. Consolation by Luther and Bach. [p]BNUK_Cambridge Jul 2017
3. Bach Digital. [p]BNUK_Cambridge Jul 2017
4. Bach and God. [p]BNUK_Cambridge Jul 2017
5. Principles and potential for the development of the performance-academic discourse. [p]BNUK_Cambridge Jul 2017
6. To what extent is J. S. Bach a compositional theorist? [p]BNUK_Cambridge Jul 2017
7. The Fleckeisen Document and its Implications. [p]BNUK_Cambridge Jul 2017
8. New research on Lorenz Mizler. [p]BNUK_Cambridge Jul 2017
9. Edwin Fischer and Bach-Pianism of the Weimar Republic. [p]BNUK_Cambridge Jul 2015
10. New Online Resources for Bach Scholarship. [p]BNUK_Cambridge Jul 2015
11. Analytical studies of selected cantatas by J. S. Bach. [p]BNUK_Cambridge Jul 2017
12. World launch of the Calov Bible facsimile. [p]BNUK_Cambridge Jul 2017
13. Treasures in heaven and on earth: poverty and abundance in the life and sacred cantatas of Johann Sebastian Bach. [p]BNUK_Cambridge Jul 2017
14. Bach and the recorder. [p]BNUK_Cambridge Jul 2017
15. Redefining the 'permutation fugues' of J. S. Bach: focusing on the differences with the invertible counterpoint developed in North Germany. [p]BNUK_Cambridge Jul 2017
16. New research on J. C. Bach sources. [p]BNUK_Cambridge Jul 2017
17. Bach's quaver notation and performance implications. [p]BNUK_Cambridge Jul 2017
18. Italian Instructive Editions of Bach's Two-Part Inventions, c.1870-1985. [p]BNUK_Cambridge Jul 2015
19. Activities around the composer's desk: the roles of Bach and his copyists in parody production. [p]BNUK_Cambridge Jul 2015
20. Prince Albert and the Reception of the Chorale in England. [p]BNUK_Cambridge Jul 2015
21. The conflict of symmetrical form and text setting by J. S. Bach. [p]BNUK_Cambridge Jul 2015
22. Critical edition or As You Like It. [p]BNUK_Cambridge Jul 2015
23. Music via Correspondence: A List of the Collection of Kreuzkirche Organist Emanuel Benisch. [p]BNUK_Cambridge Jul 2015
24. In the shadow of the Hofkapelle: music and musicians in the circle of the Dresden nobility during the reign of August II and August III. [p]BNUK_Cambridge Jul 2015
25. Creativity versus censorship in the Lutheran church cantata. [p]BNUK_Cambridge Jul 2015
26. Bach and the samurai aesthetic framework: the implications of the writings of Utagawa Yoan and Kume Kunitake. [p]BNUK_Cambridge Jul 2017
27. Enhancing the Spectacular: Busoni on Bach's Goldberg Variations. [p]BNUK_Cambridge Jul 2015
28. A Copyist of Bach and Zelenka: Identifying the Scribe of GB-Ob MS Tenbury 749. [p]BNUK_Cambridge Jul 2015
29. Recognition of Counterpoint by the contemporaries of J. S. Bach. [p]BNUK_Cambridge Jul 2015
30. Bach's Thomaner--Disciples of their Teacher? [p]BNUK_Cambridge Jul 2015
31. Bach to Africa and Forward towards a global aesthetics of music. [p]BNUK_Cambridge Jul 2015
32. Organists of Leipzig's royal Catholic chapel 1719-1740 (and beyond). [p]BNUK_Cambridge Jul 2015
33. A University Student as Librettist - Important Impetus for Bach's Church Music in Leipzig. [p]BNUK_Cambridge Jul 2015
34. Bahha: Bach and Japan. [p]BNUK_Cambridge Jul 2015
35. Principles of Performance Lost and Gained: John Butt on Bach-related subjects in conversation with Yo Tomita, Michael Marissen and Bettina Varwig. [p]BNUK_Cambridge Jul 2015
36. Balzan project and Bach. [p]BNUK_Cambridge Jul 2015

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Last revised on 2 May 2011 by Yo Tomita